musée

  • renaissance
  • impressionist
  • modern
  • exhibitions
  • guided tour
  • re:membership

  • electricity.

    a heavy evening rain rose as a loaded fog,
    cloaked us like a dimming theater light.
    grateful for an excuse to hush under the guise of proper manners
    we sat shoulder to shoulder, our eyes focused safely in the distance,
    unsure exactly the show to follow but knowing with certainty
    that it was starting.

    just for the fun of it, i turned your smile over in my lap until it softened,
    bated your breath,
    sparked flint against the base of my own spine.
    i fancied an impossibility
    that this moment was inevitable, found myself shuffling through versions
    of the vastly different people we could have arrived to it as.

    after all,
    what were we but shoe boxes full of trading cards shelved at our childhood homes,
    each bearing our face with different uniforms, records?
    what more had we done to reach right now but closed our eyes, stuck our hands in, and plucked one out?

    i thought
    how easy it is, to burn a box of cardstock.
    the plastic coating would add an edge of stubbornness
    clinging to its former form
    before giving way
    curling into a puff of black smoke.

    Jan-01-24

  • it’s no better to be safe than sorry

    sara bareilles

    Jan-01-24

  • din.

    if a forest of family trees fall
    and we hear every single beat
    is there such a thing as sound, after?

    is there deep sleep,
    good judgement,
    wise investment?
    is there trustworthiness,
    reliability?
    is anything seeworthy any longer?

    is there music?
    singing?
    or only the roar of an Amazon slashed-and-burned,
    of ancient Redwoods a hundred meters high,
    toppled,
    roots splayed to the Heavens –
    all the Wonder in this Natural World
    scorched,
    rotting,


    silent.

    Dec-18-23

  • haikyou ii.

    so many lessons
    learned all while sure you’d never
    teach me a damn thing

    Dec-01-23

  • the present     charles robert leslie     1845
    Nov-27-23

  • revive The Bride.


    (i)

    even as a murderess she held a certain nobility -
    never brought a gun to a swordfight,
    never shied from loudly announcing herself
    a knock
    a streak of yellow
    never accepted she shouldn't be bestowed something priceless.

    and so i believe there is a Beatrix Kiddo
    whose killer maternal instinct could reconcile the fact
    that everyone is someone's child.

    but that nature requires a nurture
    where there are no triggers pulled tense against their springs at a church service,
    no old men curling baby hairs behind ears as
    some unbreakable vow
    some staked claim
    no learning lovers can destroy one another with the press of a few fingertips.

    there will still be unresolved injustices - it is the world, after all.
    but if Beatrix Kiddo is to be more merciful
    so too must her circumstances.



    (ii)

    even under softer stimuli,
    when she's activated?
    i still imagine the room fades on the periphery.
    she strides into some third-world streetside dive, whipcracks echoing off her heels,
    nears the throat of the lead she's chasing and draws her Hattori Hanzo -
    a finely tuned, custom-crafted, Japanese steel
    pen.

    her adapted method of exposing what she knows to be the truth
    slicing fearlessly through the silence
    direct eye contact
    directer questions
    digging up all they've buried
    pressing the barrel so hard the ink bleeds onto the next sheet.
    the result - a venomous, front-page skewering;
    she's found a way of dismantling someone with her fingertips in this timeline too.

    Beatrix Kiddo reformed
    will not roar or rampage her way to revenge,
    no.

    she will be precise,
    she'll exact it.
    Nov-27-23

  • teach me all the best ways to do right by you, endure the way my interpretation will always be imperfect, forgive when i forget you’ve taught me lessons of you altogether, insist on this grace from me and with all.

    Oct-23-23

  • to think Jesus flipped tables.

    it wasn’t the surety of the rising seas
    nor the screams of mowed classrooms
    so it sure as Hell won’t be the sHelling of the land we collectively call Holy

    no
    somehow
    we, top-of-the-food-chain
    we, super-predator
    we, brains deeply outsized to bodymass – seven times more than would be linearly predicted –
    we still have further to push into the deepest homegrown pits Dante never imagined,
    still have further to fall from biological grace than this.

    endearing the way we let lions keep ‘king of the jungle’;
    patronizing almost, with a brain-to-majestic-mane-and-fierce-teeth-and-flicking-tail ratio of 1:550.
    did you know when lions feel their territory threatened by another pride,
    they’ll try to kill their young?
    crazy. the wild takes no prisoners dude.
    US either
    we just use the adult size bags to keep it simple
    fits every body

    to think
    we sit here
    and watch children die on our handheld 6.1′ OLED displays
    picket in support of every mattress having a gun shoved between the box spring
    time countdowns to the permanence of each centimeter of oceanwater

    to think
    2,000 years and a stone’s throw from here
    Jesus flipped tables because capitalism had set up a few booths in His Temple
    and of the many things He may have known for certain
    the snowballing of men’s sins was one of them.

    Oct-18-23

  • haikyou.

    evening primroses
    close each night, betray themselves,
    as i did for you

    Oct-18-23

  • throwing out your frown and just smiling at the sound

    phoebe bridgers

    Oct-17-23

Previous Page Next Page

hmm // you // say

curator

 

Loading Comments...
 

    • Subscribe Subscribed
      • musée
      • Already have a WordPress.com account? Log in now.
      • musée
      • Subscribe Subscribed
      • Sign up
      • Log in
      • Report this content
      • View site in Reader
      • Manage subscriptions
      • Collapse this bar